The artist’s large-scale personal oil painting exhibition fully expresses her perfect spiritual world
Group photo of Wang Su’s solo exhibition “Sukhavati”, starting from the left: Su Mang, founder of Song Art Center, Liu Chunfeng, exhibition curator, and Wang Su, artist
After artist Cai Jin’s solo exhibition; Dialogue exhibition between Xiang Jing and Xing Danwen. On May 11, 2023, the Song Art Center launched the solo exhibition Sukhavati by young female artist Wang Su, born in 1989. The artist’s first solo exhibition in China brought her 34 paintings in China. In the past two years.
The first time you see Wang Su’s works, you will be attracted by the images in her oil painting . This image combines different experiences of Eastern and Western art. In the view of curator Liu Chunfeng of this exhibition, this is a reconstructed ‘second nature’. Its main characteristic is that it is different from the first nature described in classical art reproduction, and also from the simulated world described by Jean Baudrillard after the rise of the consumer society.
The formation of this image is closely related to Wang Su’s “nomadic” experience. I studied for my undergraduate degree at Nanyang University in Singapore and obtained a master’s degree from Central Saint Martin’s College in the UK. Afterwards, he traveled to major art galleries in Europe and now shuttles between China and Greece to create works.
As exhibition curator Liu Chunfeng said, “As a new generation of artists growing up in the context of globalization, Wang Su is highly representative in the cultural field that transcends national and regional concepts. Her growth, confusion, and dreams are the echoes of this era on an individual level. The surreal natural landscapes, magnificent colors, and fantastical modeling abilities in her paintings are Wang Su’s individual expressions of the world, virtual and reality
Liu Chunfeng: Over the years, I have been studying contemporary art around the world. Wang Su’s creation happens to be in my research sequence over the past few years, especially in the post globalization stage.
For example, she has more cultural attributes and custom oil painting has experience studying abroad in different countries. In this exhibition, I positioned oil paintng reproductions it as a new nomadic identity. This is different from the idea of studying in France, Germany, and the UK in the early years. This is a constantly drifting concept that blurs the relationship between local cultural attributes and individual subjects. After this ambiguity, feedback makes them hope to return to a gender that transcends gender. Artists with this new identity may no longer focus on the body itself, but instead transform it into non social themes such as plants and animals.
Liu Chunfeng: From their creations, this generation does not directly capture oil painting art images, nor does it persist in images. In fact, images are easier for them, so they created some images. This image is neither Pop art that we are familiar with at first. For example, one hand billboards and product labels. On the contrary, the images they are currently using may have been replicated many times, and their artistic and cultural attributes have decreased. Cut it off and then install it back. It conveys something new, seemingly close to nature, but actually far from nature. Not entirely from the city, because the city is too familiar to them. The previous generation fled the city, but this generation either fled or chose to live between nature and the city.
Liu Chunfeng: This artist is relatively introverted. I think she can fully express her inner thoughts through artistic creation. There are many types of artists. Some are more conceptual, but weaker in visual expression. Wang Su may be another type, with strong visual expression skills.
In her creations, she did not directly present her ideas and sunbirdarts concepts on the screen to everyone. On the contrary, oil painting for sale I hope to dispel the textual nature of the work and return to the tradition of painting. Through his processing, customization, arrangement, and layout of images, one can more clearly see the process of his inner imagination.
Yachang Art Network: The curator of this portrait painting exhibition, Liu Chunfeng, uses “second nature” to describe the imagery depicted in your painting. For you, how are these images formed in the picture? Are they consciously created by you?
Wang Su: I am a person who grew up in a multicultural background. I did not deliberately oppose or offer oil painting confront, nor am I a very rebellious person. I love nature and have an equal attitude towards all living beings on Earth. Every plant and tree is sacred in my heart. I always magnify these very small things and make them magical, like a kind of coming, there will always be columns of light in the background, full of energy.
When you observe the growth of a flower, it is a process of life blooming. The potential for this original oil painting energy growth is infinite, just like humans. Grass, flowers, and the universe are all the same in my eyes. I want to express their position in my heart. Or perhaps I want to break the order of this world and establish a ‘my order’ – an order that respects nature and all things.
Wang Su: This fusion is involuntary. Born from the heart. Perhaps for some aesthetic oil painting china reasons, I like to use points, lines, and surfaces to draw things. I think they are perfect together.
In fact, everything comes from life experience. There are many places, many people, and many things that work together on the content of my images. People’s perception will not rest on actual events, but the temperature, smell, and even the surrounding sound of that day may leave some traces. For me, that’s it. The memories pieced together have been turned into fragments and images one by one. I will add some logic and use my own thinking to build a world that I believe is perfect and meets my wishes, The world must be beautiful and harmonious.
Recreate Wang Su Studio in the exhibition hall
Wang Su: After this exhibition, I may return to Greece to create. I even took a drawing buy oil painting online board and walked around to draw animations. After all, I am still young and want to experience more, expand the content and layout of my creations, and expand the world. My summary of my creative state: like a pool of lake water, it will have a vortex, slowly collecting the lake water, and then seeing how deep the final vortex can be, it is a structured process of slowly converging towards the middle
Su Mang: Wang Su and I have a good fate. As a media person, I closely monitor everything that is buy oil painting china emerging. By chance, I came across Wang Su’s paintings and really liked them. I wanted to collect them. But I can’t reach her. Later, I had a good friend who worked in a very international organization. He happened to know Wang Su and introduced him to us. At that time, Wang Su was still in Greece. I bought a painting I wanted to collect, but one of the works I really wanted to collect has been custom paintings auctioned off. Regret has been waiting, but the epidemic has arrived and the auction has not been completed after waiting for more than a year. Throughout this process, I have been in contact with Wang Su. When I met her, I had no intention of building an art space. Later, I established the Song Art Center, so I have this solo exhibition in the space.
The reason for deciding to cooperate with Wang Su is very simple. In my opinion, there is a sense of solidity in the artists of their generation for custom oil painting . I think using ‘bravery and confidence’ to describe them is not accurate, they are just free. They are willing to think for themselves, follow their own pace, and do not care about others’ opinions. I come from a fashion background, so I am very familiar with trends. I think a new era is beginning: new artists, new collectors, and new custom oil portrait china definitions of artistic value are forming. I hope we become participants and promoters.
Wang Su’s solo exhibition “Sukhavati”, Song Art Center
Su Mang: When I founded the Songyi Center, I had a wish. I have been working as a women’s magazine for 27 years. In this process, I think women are a very unique group. Their hearts are very sensitive and rich, but they also face more responsibilities, whether it is family responsibility, marital responsibility, workplace responsibility, or maternal responsibility. Between these responsibilities, she also seeks to protect herself. So I think professional women are a very complex famous oil painting and difficult job. As for being myself, I greatly admire these female artists.
I think women often forget our identity in the workplace because we are custom oil portrait all professionals. So when working at the Song Art Center, I had two clear directions: the first was to do contemporary art, because contemporary art is full of vitality, asking questions, and triggering thinking; The second one is to do contemporary art. The other is female art. Contemporary art and female art are two important directions of the Song Art Center.
In my opinion, the Song Art Center is not a gallery, but an custom oil painting art institution, more of a beautiful platform. There are several discussions in contemporary art that I am very concerned about. For example, contemporary art is not responsible for aesthetics, only for questioning. But I don’t think so. I think the beauty of art is human, and it can be timeless, timeless, memorable, praised, and sung. So when I founded the Song Art Center, I was always searching for such a balance point. I am not studying art history, and I do not expect to leave my own name or art center in the history of art. Our motivation is to make the beauty of art shine again in everyone’s heart.
Wang Su’s solo exhibition
May 21, 2023 to June 24, 2023
Academic host: Lu Rongzhi
Curator: Liu Chunfeng
Producer: Su Mang
Liu Chunfeng, Doctor of Art Theory, Researcher, Deputy Director of the Exhibition wholesale oil painting Department of the National Art Museum of China. Deputies to the 15th and 16th National People’s Congress of Beijing, national “cultural celebrities and four groups” of “Ten Thousand Talents Plan · Youth Top” talents, theoretical members of the China Artists Association, members of the Beijing Municipal Committee of Theory and Arts, members of the Artists Association, and members of the Chinese literature Critics Association. He graduated from the Central Academy of Fine Arts (CAFA), successively obtained bachelor’s, master’s and doctor’s degrees, and completed the 2013 certificate of Free University of Berlin in the art management leadership training class jointly issued by the former Ministry of Culture, China Art Museum and the Central Academy of Fine Arts Media School. Since 2007, he has worked in the National Art Museum of China, engaged in academic research and exhibition planning. Since 2000, he has participated in the planning of modern and oil painting gallery contemporary art projects and academic activities at important museums in Brussels, Paris, Tokyo, Seoul, Busan, Rome, Lyon, Vienna, Berlin, New York, Turin, and other places. In addition, she has also written a large number of commentary articles and art reviews, edited over 40 albums related to Chinese modern and contemporary art, and published five personal academic monographs.
Contemporary young artist Wang Su, born in Shandong, China in 1989, currently travels between work and life in China and Greece. As a young artist who grew up with an international background, her creations are highly representative in the cultural field that integrates oil painting supplier Eastern and global artistic concepts, surpassing national and regional concepts. The surreal appearance is refreshing. Wang Su’s strong hard edge treatment and multi-color collisions with flowers and jungles evoke the internal miniature of Georgia O’Keeffe’s iconic giant flower; As well as the free and improvised curves and color gamut in her paintings, it echoes the minimalist and bold color abstract concept of Helen Fraken Taylor, the pioneer of American Abstract expressionism. Her profound understanding of poets such as Baudelaire and Paul Zeeland filled her paintings with musical imagery and mysterious poetic aesthetics; She created a different world channel. In the surreal natural world she created, everything is full of vitality and has magical characteristics, growing in deliberately disrupted spatial levels. The combination of concrete objects with abstract spiritual symbols such as stripes and ribbons immerses the audience in the microscopic grandeur of mysterious life, listening to the creator’s soul sonar.
Wang Su graduated with a bachelor’s degree from Nanyang University in Singapore and a master’s degree from Central Saint Martin’s College in the UK. During her studies, she visited major art galleries in Europe and tried various creative forms of existing products such as collage, screen printing, and imaging, ultimately finding her own home in painting. Afterwards, her works have been exhibited in multiple major cities around the world, including the Contemporary wholesale oil painting Chinese Art Center (Hong Kong), Kypsilian Salon Snehta Space (Athens), Depo Darm Contemporary Art Space (Athens), Century Members Club (London), Parfit Gallery Croydon (London), Out Gallery (Beirut), Art Number 23 (Athens), Lens Gallery (Shenzhen), and other international art institutions. In 2022, Wang Su will hold a solo exhibition – “animism” in Bonhams (Hong Kong). The first solo exhibition “Sukhavati” was launched in Chinese Mainland. In addition, she also participated in multiple large-scale exhibitions such as the 2022 Wuhan Biennale, the Beijing Contemporary Art Expo, and the Guangzhou International Art Expo.